Download over 1369 free Audio visualizer templates! Browse over thousands of templates that are compatible with After Effects, Premiere Pro, Photoshop, Sony Vegas, Cinema 4D, Blender, Final Cut Pro, Filmora, Panzoid, Avee Player, Kinemaster, No software. When you play a slot machine, the game isn’t actually being played out on the reels, whether it uses “real” reels or video reels. It’s being played internally, on the game’s random number generator. The reels are just a player-friendly interface, and are told where to stop by the RNG.
No other segment of the gaming industry has benefited more from the technology revolution than the slot machine. Once considered the ugly stepdaughter placed on the gaming floor to appease the spouses of table players, the slot machine has been transformed into the fairy princess of the gaming world. With her, she has brought a dowry of riches no one would have imagined for the casino and a few lucky players as well. Over twenty years ago the slot machine accounted for 30 percent of the casinos' profits. Today it accounts for about 70 percent. Computer technology and the ability to play with little to no gambling knowledge makes it possible to offer life-changing jackpots big enough to turn a pauper into a king.
However, the fact that it doesn't take much gambling knowledge to play means that most people don't understand the inner working of the slots -- which makes it easy to explain a loss or a win with some false logic. Like any other 'wives tales' these are passed from person to person until they become gospel. Most of these myths and misconceptions are harmless but they can add to your frustration and take away some of the enjoyment of your casino visit. Let’s take a look at a few of the most popular myths and the truth behind them.
Myth #1
Someone hit a jackpot on the machine you just left -- so you would have won that jackpot if you kept playing.
This is probably one of the most common notions about slot machine gambling -- but it's patently false. The slot machines have a computer chip inside that runs the Random Number Generator (RNG). The RNG is continuously cycling through numbers even when the machine is not being played. These numbers correspond to the stops on the wheel that display the winning or losing symbols that you see when the reels stop. When you hit the spin button or pull the handle, the RNG picks the combination at that given microsecond. If you had stayed at the machine, it is highly unlikely that you would have stopped the RNG at the exact nano-second to display that same combination of numbers. In the time it takes to talk with a friend or sip your drink the RNG has cycled through thousands of combinations.
Myth #2
You can tell the odds of winning by counting the symbols on each wheel.
Actually, you can't. The RNG generates a number for each spin. There can be hundreds of virtual stops on each wheel even though you only see a few symbols. For example, you may see 20 symbols on each wheel of a three-reel machine. You figure 20 x 20 x 20 = 8,000 combinations and your chance of hitting the jackpot is 1 in 8000. In reality, the computer chip may program 256 stops for each wheel which makes the odds 256 x 256 x 256 =16,777,216 combinations. Being able to generate millions of combinations is the reason that slots can offer large paybacks.
Myth #3
Casinos can loosen or tighten the slot machines with the flip of a switch.
In actuality, the slot machines have a computer chip in them that determines the payback percentage. These are preset at the factory. In order for a casino to change the payback, they would have to change the chip. In most jurisdictions, there is paperwork that has to be filled and submitted to the Casino Control Commission for each machine if the chip is changed. It's time-consuming and the chips are very expensive. For this reason, it is more economical to decide on the payback percentages before purchasing the machines and having the factory ship them with the proper chip.
Myth #4
A machine that has not been paying out is due to hit.
There is no way to determine if a machine is due to hit. Each spin is a random occurrence and has no bearing on what has happened previously. Don't ever play more than you should because of this misconception -- it will be devastating to your bankroll if you do.
Myth #5
The temperature of the coins played will affect the way a machine pays.
Unfortunately, the machine is not affected by temperature. It doesn't matter if you play hot, cold, old or new coins. The coin slot is a mechanical device and has no feeling.
Myth #6
If you use your slot club card the machine will pay back less.
This may well be the most damaging myth of them all. There is no link between the card reader and the RNG, but by not using your player's card you are denying yourself valuable comps and sometimes cash back from the casino.
If you’re anything like me, you’ve probably gotten comfy with your everyday After Effects shortcuts. So you might not have added anything new to your finger-fu for a while. This is particularly common if you work remotely, as you miss out on the over-the-shoulder tips that happen in a collaborative workspace.
Sometimes, it helps to break out of that path dependency. So here are some of the lesser-known shortcuts that I use to make my compositing work a bit faster. I’m confident that you’ll find something new in here, regardless of your experience level. (Or, if you consider yourself a shortcut sifu, score yourself based on how many of these you already know.)
Caveats apply: I’m a PC guy, so I’ll be listing my choices with the Alt / Ctrl key modifiers. Mac users should just swap Alt to Option and Ctrl to Cmd. This article also assumes that you’re using a Latin-based keyboard with a US layout. I also use the term CTI (current time indicator) because that’s what Adobe calls it. You might know it as ‘playhead’.
The accent grave key lets you maximize/restore the panel beneath your cursor.
` (accent grave)
This key is particularly useful when you’re working on complex comps with a lot of layers, or if you’re stuck with a single-screen setup and need to temporarily make some room. Tapping the accent grave key (`) maximizes the panel beneath your mouse cursor. (It’s usually found under the Esc key and also has the ~ tilde symbol on it.) Tap it again to reverse.
Ctrl+` (accent grave)
Once you’ve found the accent grave key, you can add a Ctrl modifier to it. This will reveal all the properties for the currently selected layer(s). But, if you only want to view the properties that you’ve keyframed, then tapping U will do the trick.
Ctrl+Shift+A or F2
Everyone knows Ctrl+A for “select all,” but most people tend to deselect by clicking somewhere else, and that can move screen focus to where you don’t want it. The alternative is to hit Ctrl+Shift+A, or just F2. Not a big deal, just a bit tidier.
Ctrl+K
This shortcut simply brings up the composition settings. Note that you either need to have the composition selected in the Project panel, or in-focus in the Timeline panel for this to work.
Ctrl+Shift+Y
Similarly, Ctrl+Shift+Y opens the Properties panel for the solid or null that’s either open in the Timeline or selected in the Project panel.
Ctrl+F
You’ll already know Ctrl+F as the Find shortcut. In After Effects, you can use this in both the Project or Timeline panels, and what makes this particularly powerful is using search terms like “missing” to find missing assets, fonts and plugins. If you’re in the Timeline panel, you can view the values for properties on all layers by adding a search modifier for things like scale, transparency, position, etc.
Alt+[ or Alt+]
This is AE’s trim shortcut. Select the layer(s) in the Timeline view you want to trim and use the shortcuts to trim and out points at the current CTI (current time indicator or playhead) position. Just be aware that the behavior of Alt+] has always been to leave a single frame after the CTI position, which has caught me out more than once. Usually post-render.
Ctrl+Shift+D
One of the most useful tools to have at your disposal, Ctrl+Shift+D lets you split the selected layers at the CTI (current time indicator). And it doesn’t have the extra frame issue of the trim tool, so you could use it as a simpler alternative by deleting the unwanted layer it creates.
I and O
With a layer selected in the Timeline panel, hitting I or O will move the CTI to the beginning (in) or the end (out) of that layer.
Shift+Pg Up or Pg Dn
You should already know that the Pg Up and Pg Dn keys will advance/rewind your CTI in single-frame increments. (You might be using Ctrl+Left Cursor / Right Cursor, instead.) Holding down Shift for either of these options will advance in 10-frame increments.
Ctrl+Home
This will center your selected asset(s) to the frame. Just bear in mind that it works off the anchor point of the selected asset, so elements like text will not be visually centered. If you need to adjust this, tapping A will reveal the anchor point properties for the selected layer(s).
Ctrl+Alt+F
This is AE’s fit to composition tool, and it’s super-useful for quickly fitting imported stills or clips to the frame size. (You’d have to open the Layers-Transform-Fit to Comp menu option to get to it, otherwise.) Just be aware that it will not respect aspect ratio, so keep an eye open for unwanted image stretching.
Ctrl+Shift+Plus or Minus
While we’re on the topic of resizing, if you want to nudge the scale of a selected layer up and down by 10 percent, then this lets you do just that.
Ctrl+Alt+Plus or Minus
And similarly, this shortcut lets you nudge the opacity of the selected layer up and down by ten percent. Alternatively, if the layer selected is a Light, then this will increase the Intensity property.
Ctrl+Alt+V
Ctrl+V is universal for pasting copied assets. Adding the Alt modifier changes the default behavior to paste the assets at the CTI instead of at the beginning of the timeline.
Slot Machine Effect Final Cutting Tools
Ctrl+Alt+T
If you want to adjust the duration of a piece of footage, this shortcut enables the time-remapping tool on the select layer(s) and adds a keyframe at its in and out points, which you can then drag to the required position. Obviously, you don’t need to apply this to still assets, as these can be retimed by just dragging the in and out points of the layer.
Ctrl+Shift+E
This is an immediate way to remove all the effects from the selected layer(s). To be honest, I’d prefer this to be a function that toggles all the effects on and off, but you can use Ctrl+Z / Ctrl+Shift+Z after this shortcut to achieve the same goal.
Ctrl+Shift+Up Cursor or Down Cursor
If you have a layer selected in the Timeline panel, this shortcut will let you select the layers above or below it. Repeatedly tapping the cursor keys will add further layers to the selection. (And don’t forget the F2 key for deselect all.)
Holding down Alt and dropping an asset on top of another will instantly replace it with properties intact.
Alt+Drag and Drop
This is another super-useful tool. If you hold down Alt while you drag a file from the Project panel and drop it onto a layer in the Timeline panel, it’ll replace the existing asset with your new one. But the most important part is that all your existing effects and keyframes will be maintained.
Ctrl+Alt+G
This one opens the Interpret Footage panel for a selected file. This is where you’ll find properties for color management, timecode, PAR, frame rate, etc. More importantly, it’s where you’ll find the option to loop the selected clip, rather than duplicating it on your timeline a dozen times.
Ctrl+Alt+Shift+E
I’ve tried to steer away from four-key finger wrangles, but I use this one regularly as it applies the most recent effect to the selected layer(s).
Double-click the Hand, Shape, Rotate, and Selection buttons
Have you tried double-clicking these buttons? You really should. Each one has a unique response to this action.
The Hand button will center and re-size the current composition in the Composition panel.
The Shape button will create a new mask on the selected layer that corresponds to the current Shape option (Ellipse, Star, etc.)
The Rotate button will reset the primary Rotation property of the selected layer to zero.
The Selection button will reset the Scale property of the selected layer to zero.
Hold down Alt to switch off all Solo layers except for the one you want.
Alt-click Solo switch
If you want to isolate a layer so that you can get a better look at what you’re working on, you just toggle the layer’s Solo switch in the Timeline panel, and you can set as many layers to Solo as you need. Holding down Alt while you click on the Solo switch will turn off Solo for all layers before turning it on for only the current layer.
Ctrl+Shift+V
Similar to the Alt-click Solo tweak, this shortcut lets you turn off the Visibility switch for the selected layers. To achieve the opposite, you can use Ctrl+Alt+Shift+V. (That’s the last of the four-fingers, I promise.)
Ctrl+Alt+’ (single quote)
Slot Machine Effect Final Cutter
And finally, you can’t really write a piece on keyboard shortcuts without including the one that brings up all the keyboard shortcuts. If you need to remind yourself what does what, or prefer to bake a custom set that works the way you do, then you’ll find it all here. Go nuts. And remember that you can save your preferences in the Adobe Creative Cloud so that they’re available across your machines.
Slot Machine Effect Final Cut Off
These were my favorite time-saving shortcuts, but I’m always happy to hear more. And, if you think that my finger-fu is weak, then feel free to challenge me in the comments below. Still need more speed in After Effects? Why not check out Mark Christiansen’s guide to making After Effects faster.